You can be absolutely sure of something; no doubts, 100% confident that you’re right. Have proof even. And find out: you are wrong. You are wrong. I framed and hung this Little Bee painting on my studio wall, on my tent walls, traveled with it, packed it up multiple times. I knew, without a doubt, that I had put glass in the frame. I always use glass. Pastel paintings need to be framed with glass. I had a certain number of glass pieces in the right size and I had the same number of frames in that size. I used them all up, there were no more frames and no more pieces of glass. All the Little Bee paintings were made. When I sold this Little Bee, I talked up the glass I use, how crystal clear it is. Yes, it has glass. I wrapped up the painting and handed it over. Confident. When I got an email the next day from the patron asking why there was no glass in the frame, I couldn’t fathom that she was being honest. My brain went everywhere to figure out this weird situation. I did not believe that there was no glass in that frame. Did not believe her. We made a plan for me to pick up the piece and add glass (yeah right, I thought, it has glass). Weeks went by before I picked up the art. I was sick, I had to travel, it wasn’t a priority to me because I was confident. When I finally went to pick up the piece, I immediately reached into the bag and tapped on the glass, expecting to hear that telltale “click”. There was no glass. Of course there was no glass. It would be an unlikely story for this art patron to make up that her purchase had no glass. When I got to my studio, I investigated. I had done everything I normally do to frame my pastel paintings — but I had left out the glass. It made no sense, but there was the truth. It was absolutely my mistake. I ordered more glass cut to the right size, I touched up the painting. It took a month to get the glass. My art patron was so patient, so understanding. I reframed the painting (triple checking that the glass was in there: tap, tap, tap) and delivered it to its home. I handed over the Little Bee, along with an apology gift of a needle-felted turtle and asked for grace. She smiled at me and said she knew she’d get it back eventually.
I still don’t understand how I made that mistake. But I learned a valuable life lesson: You might be wrong.
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Life is like a game of chess
The Game of ChessThen another chess coincidence happened that week. While I was working at my sewing machine, I pushed play on Radiolab, one of my favorite podcasts. It just so happened that they were rebroadcasting an episode on games, which included a whole lot of interesting information about chess. My ears piqued. As I listened, I learned the chess term "out of book". This term quickly caught my fancy. If you don't know this idea - as I didn't - here's the background: there exists a "book" of all the chess moves that have happened throughout the history of the game. Although it's not a real book, in Moscow there is an actual library of all these recorded moves. This library has been kept since the 16th century and, like most things, it recently has been digitized. Basically, during a game of chess, most of the moves players make have already been made before in past games. (The digital book can even tell you how many times before each particular play has occurred!) But, not all of the possible variations of chess moves have been made before. When a player come to the point in the game that isn't in the book, the play is now considered to be "out of book". The way chess analyst Fred Friedel explained it on the the Radiolab episode is my favorite. He says when your play is out of book, "you have a position which has never occurred before in the universe." Wow. Consider that! The Game of LifeTraditions are the life equivalent of playing by the book. The book of life says: go to school, get a job, get married, have a family. Traditions can be great; they provide quick and easy answers to basic life decisions. In the game of chess, it's easy to tell when players are playing by the book. Their moves are quick and decisive. These moves are easy because the players have them memorized. They've been done so many times before that no thought is necessary. It's when play reaches the point of being out of book that the game becomes a challenge and slows down. Now, players have to think about each move they might make. They have to consider all the possibilities and all the consequences of each move and can no longer rely on what's been done before.
We humans can be really hard on ourselves. We beat ourselves up when we feel we did something wrong. But life isn't always predictable. If we learn anything from the game of chess - and the unfathomable number of possible plays there may be in a game - it's that not everything is in the book. Not everything has been done before. There are times when you may "have a position which has never occurred before in the universe." For me, the pandemic created a whole slew of things that never happened before. I didn't know how to make money as an artist. My two teenagers fell into depressions. Tradition was no help, life was out of book. And just like the game of chess, everything was slow and challenging at this point. It makes sense to me now: my brain needed time to process absolutely everything. At the time though, it was awful, exhausting and terrifying. I felt incredibly guilty and constantly felt that I wasn't doing enough. The problem was, that I didn't know what I should be doing. Possibility
Textile ArtHere's my art interpretation of the chess concept Out of Book. "Out of Book"
16" x 20", cut and sewn cotton fabrics, thread. Sold. © Mary Pow. All rights reserved. Spring comes slowly Spring comes so slowly in Minnesota. It forces patience upon you, however unwilling you are. Every morning you wake up to another sprinkling of snow, no matter how much you long for the flamboyant beauty of your crabapple tree in full bloom. You are tired of the waiting. You say, “I can’t take it anymore. I cannot handle this for one more day.” Especially after such a long winter. A long, bitter winter filled with trials and tribulations that scraped your insides out and left you raw. Don’t you deserve some easy beauty? The hot sun on your shoulders, flowers blooming, butterflies floating through the garden. But the world owes you nothing. If you want to find beauty, you’re obliged to notice the simple, subtle beauty of spring coming slowly. So, fine. What else can you do? You take your walk in the cold, blustery day and you notice the loons are on the lake. That’s spring. And you see that the fat robins have eaten every single berry on the tree since the last time you looked. That’s spring, isn’t it. And by the time you walk around the entire lake, and your thighs are numb with cold, you are entirely sick of trying to notice the simple things. The subtle beauty is actually making you angry, because why does it have to be so hard. Then you see something, a stalk of dead grass blowing in the cold gray air, waving to you, holding a beauty so understated that it makes you want to cry. And you walk past it, thinking, “no I won’t stop and acknowledge this. I want the gaudy in-your-face-ness of summer.” But it comes slowly. And the simple beauty is so touching that you retrace your steps to try to capture it in a photo.
Of course, the photo cannot capture what you see, what you feel – but it is there; you cannot unsee it. You must continue your day being grateful for the small things, because what else can you do. There is no forcing spring. It owes you nothing. You take what you can get. I keep them in my bathroom. For most of the summer there it is: a mason jar filled milkweed. Caterpillars in various stages of their life-cycle, munching away. I have them in my bathroom so I can shut the door - to keep them in - and the cats out. But the door usually gets left open. I tend to count them whenever I go in the room. Has a new one hatched? Are they all here? I discover one is missing, and a heaviness settles in my heart. I count and re-count. It's not there. Several days later, I find a caterpillar on the stairs. Quite a long journey from the bathroom for such a small creature. I gently scoop it up and bring it back to the milkweed. When I set it on a leaf, it curls up. It doesn't move. Starved to death. My heart aches. I could have done more to prevent this from happening. Your White Fragility by Mary Pow Are you fragile – Will you break? An ooey gooey egg. Ooze into a hole, And hide away. Or is it possible – Perhaps I’m wrong? Your fist raised high You find you’re strong. And you uncurl. Your shell is cracked, You stand up tall. That precious shell, The pieces fall. Thank God, they fall. Released from shame, You say his name “George Floyd” Again, “George Floyd” And you move forward. Look at you – You’re in the street. That shell is crushed Beneath your feet. And your eyes open. Silence does harm, You see. You warn, “I won’t stay silent.” You are reborn. Cracked is a painting that I completed in the aftermath of the murder of George Floyd, which happened only a few miles away from my home. While I worked on this painting, I simultaneously wrote the poem Your White Fragility. These two works are entwined.
The poem Your White Fragility, along with the painting Cracked equals a third work entitled Your White Fragility, Cracked. This artwork is intended to be a piece about the promise of change. |
Mary PowI am an artist and designer based in Minneapolis, Minnesota. My specialties are textiles and pastels. Categories
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