Opening Reception for the Exhibition 'Orient, Disorient, Repeat'
Images of My Work at the Exhibition
Photography by Rik Sfarra
Thank you to everyone for coming to the opening reception! If you missed it, you can see the exhibition through July 27, 2019.
Yesterday I wrote down a sentence I heard Joshua Johnson say on the radio: "How you see the world depends on where you look." It's a timely quote for me.
Personally, I think we probably need them all. Who is to choose which ones we don't need? Everyone has a different viewpoint. Everyone has a different opinion.
I hope to see you there! I'll be more than interested in hearing your viewpoint.
Well, the year is coming to a close and I'm so proud that my resulting textile artworks will be on display for 9 weeks at Textile Center's Joan Mondale Gallery starting on May 23rd.
I do hope you'll join me for the opening day!
Janet Dixon uses memory and imagination as a basis for the autobiographical abstract maps she creates using breakdown screen-printing and low immersion dyeing.
In her Queer Encrypted Weavings, Heather MacKenzie is creating an ongoing series of queer heirlooms using contributed text coded into textile structures.
Pastel Painting Challenges
I've completed views 1 & 2, but have gotten a few weeks behind on the paintings. Photos of views 3 & 4 are still waiting to be started! I will continue taking my weekly photos and I hope to eventually get to all 10 views. The 10 paintings will portray the transition from the beginning to the end of Spring.
Textile Art - Jerome Project Grant
The exhibition, entitled ORIENT, DISORIENT, REPEAT, opens May 23. My work, along with two other grantees, will be on display at Textile Center's Mondale Gallery through the end of July. Find more event information here.
Mary Pow actively investigates the creative process through her methodical cut-and-sewn color block work where she explores the multitude of viewpoints contained within the world of humanity.
Mary Pow Handbags + Accessories
Pastel Paintings - Recently Completed
THANK YOU to all the participants! I am extremely grateful for the trust you gave to me. You are amazingly brave people to hand over your photographs and give me the freedom to create. I hope the results bring you joy! While painting these portraits, I, myself, was full of joy. In fact, I frequently felt myself smiling for no real reason except that it made me so happy to feel a connection to each soul I was painting. Thank you!
During the final week, I surprisingly didn't do all that much to the portraits. I thought I would still have a lot of finishing touches to complete, but when I placed each portrait on my drawing board, I realized there wasn't much to add. I'm glad I gave myself the extra time to stand back from each portrait and absorb how it looked. Doing so allowed me the room to not fuss or over-work them.
And now, at last: Here are the photographed, finished portraits!
They are all 11" x 14", soft pastels on sanded pastel card.
Portrait work continues...
During week 5, I added more details to Savannah's and Penelope's portraits. I also finished or mostly finished Henry, Matthew, and Abigail.
Here are some detailed photos of the six portraits at Week 5.
All of these portraits will get wrapped up during week six. Then I'll photograph them and I'll reveal the completed set in a week. I'm excited to show you!
What comes next?
Please let me know if I can make a portrait for you!
Penelope (and Savannah)
This coming week I'm hoping to start on Jonah and Noah, another pair of portraits! This time the duo is not only siblings, but they're identical twins!
I started my 6-week long Portrait Project just as I was figuring out a new routine that would allow me to include both pastel painting and textile art in my daily schedule. It really was the ideal time for me to get to work on a pastel project! Was it kismet or am I getting really good at hearing my intuition? Whichever it is, I’m glad it’s working for me.
Since beginning, I’ve already determined that I want to keep each portrait unfinished until later in the 6-week process. It seems to me that the portraits should work together as a group. I want to be able to bounce from one to the next, so I can learn from each one as I go along.
Other Pastel Work Continues
In the next two weeks I'll start on Savannah and Penelope. Check back for my progress!
It didn't seem like something I'd do. But it felt right.
Since late summer I've been experimenting. Drawing and painting, trying new things, and reveling in the freedom of it all. I've felt this amazing ability to let go of the guilt one usually gets when not doing what one is "supposed to be doing".
I’ve felt taken over by creativity, and I’ve allowed myself to let it happen. It's been a gift.
But, I've got responsibilities, timelines, goals, and a Fiber Art Project Grant. The free-wheeling can’t continue indefinitely. Which, I'm not going to lie, has been a tough fact to face.
Fitting the Broken Pieces Together – in a New Way
I reminded myself that it wouldn't be in my own best interest to not complete what I had set out to do. Also, did I really want to give back the $5,000 I received for the Project Grant? Did I really want to tell the wonderful people who awarded me that money that I was giving up?
Not at all.
What I needed to do was pick up all the pieces I broke and figure out a new way to put them together. A way that would work for me now, in my new place.
- Jerome Project Fiber Grant
- Textile art
- Pastels: drawing and painting
- Making money
- Taking a break from making “products”
- Feeling free to be creative
I got serious and wrote down a daily routine for myself that would allow me to fit in all the parts.
The Ah-ha! Moment
The pastel work, on the other hand, is just for me. It has an experimental feeling and there are no stakes.
I realized that I needed to take the pressure off my textile work. I didn't want to get started on it again because it felt so risky and I was having a fear of failure. So, using what I learned from my research on creativity – in fact, exactly what got me started on pastels – I decided to re-frame things in my head.
I told myself, the next textile piece I made would be a warm-up. Like when you’re learning a new card game and the first round you play is just to get the rules figured out. No pressure; just explore. Plus, you know that Picasso quote: “Inspiration exists, but it has to find us working.” I needed to get to work.
And what do you know. For two weeks now, I’ve had my new routine working. That first week, I created a piece of textile art that I don’t know how I feel about. It’s not so great – but who cares, it was only for practice. The real point of that piece was that it helped me get into the new routine.
Actually, sorting out all of this has accomplished exactly what I wanted when I originally wrote my grant proposal last May:
“My main goal in asking for this grant is that it would allow me the opportunity to step away from my product-based business and have dedicated, uninterrupted time to work on my studio art practice. The possibility of having the freedom of time to get my ideas out of my mind and onto my “canvas”, so to speak, is very exciting.”
I'm starting to settle into my new routine. It includes both textile art and pastel painting. Things are flowing easier. I’m feeling inspired by both mediums. In fact, every day I feel like pinching myself because I can hardly believe I got what I wished for: a studio art practice.
It feels good.
I am an artist and designer based in Minneapolis, Minnesota. My specialties are textiles and pastels.
I also enjoy reflecting on the human condition.
In my blog, I write about my musings and my art.
Find my bio here.